The Institute will be leading more forays into folk wyrdness at the Temple Works in Leeds on the 11th of May for the Why Rush?festival of experimental performance.
The Institute now features not one but two wonderful cellists as we have been blessed with the presence of Briony Yorke among our number. Also on the bill is another Institute member Seth Cooke, performing as Ultra Humanitarian.
We will also be leading a workshop on the Sunday on using vocal improvisation and vowel singing techniques. Come, drink and be merry!
A contrast to the wind and rain-lashed stones down the hill at Avebury, West Kennett long barrow was tangibly warm, quiet and calm. The hill it lies upon looks over the pregnant belly of Silbury Hill across to windmill hill with its neolithic enclosure and perfect bell barrows. I felt the slight unease of entering chambers already inhabited, the dark spaces to the north and south seemingly full of unseen figures, but the overwhelming calm of the place is beautiful especially set against the extremes of midwinter weather. We reached the tomb at midday although the skies seemed to be darkening already.
It brought back instantly the experience of stumbling along a cliff side to reach Barclodiad y Gawres in Anglesey in a torrential rain storm, each step a struggle until we reached the entrance and became muffled from the howling of the wind, safe from the rain, warm and safe with the ancestors. The positions of both passage graves seems designed to amplify the womb-like effect of climbing back into the earth, the uphill struggle we all face before death washes over us.
We had formed vowel chants (along with two of our dearest friends, S+S) with magical intent in preparation for a performance at the John Hansard gallery in Southampton some days prior to our visit to Avebury. The few consonants included invoked the gods of places sacred to us, although our dedication placed them a long way from their respective shrines.
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